Nguyen Phan Chan « Les Teinturières », 1931: The Meaning Of Sign
Nguyen Phan Chanh probably painted Les Teinturières in November 1931, just as the Paris Colonial Exhibition was coming to an…
Category: Nguyen Phan Chanh
Nguyen Phan Chanh, 1937 « La Marche Nuptiale » or weariness in the step
This gouache and ink on silk, large dimension (48,5 X 85,5 cm) is of particular importance in the work of…
Les couturières, 1930: Nguyen Phan Chanh or the epicurean of simplicity
The first years of teaching since 1925 have certainly revealed talents among the students but the director of the School…
The Class List Of Students At The École Des Beaux-Arts D’Hanoi 1925-1945
Any ranking is, by its very nature, relative and subjective. Though occasionally unfair, such a ranking is always instructive. The…
« The Betel Nut Seller » – Nguyen Phan Chanh. 1931
Considered icons of Vietnamese art, the early works of Nguyen Phan Chanh were critically acclaimed, widely published, and avidly collected…
Nguyen Phan Chanh. « Les cases gagnantes ». 1931
Nothing ever begins, nothing ever ends.Only the void is absolute.The truth to understand is that all things are of a…
Nguyen Phan Chanh – “La Marchande de Ôc”
A historic manifesto, a homage to the beauty of a current everyday scene, an expression of so singular a genius, the current lot presented is an indisputable masterpiece and icon of 20th century Vietnamese pictorial production.
Nguyen Phan Chanh « La femme dans la rizière » – The End of a World
This important silk dated 1936 (bing-zi), more precisely recorded as ‘Summer 1936’ by the hand of the artist on the…
Nguyen Phan Chanh: “The Child with the Bird”
When Jean Tardieu, Victor’s son, received a request to write an article for the special issue ‘Christmas 1932’ of ‘L’Illustration’…
« La jeune fille au perroquet », 1933. A milestone in Nguyen Phan Chanh’s works
In 1933, Nguyen Phan Chanh already had a connection with his audience : first in Vietnam since 1929, through the…