Nguyen Phan Chanh, 1931, « La Couture », or the feeling of the gesture must be the gesture of the feeling
The Paris Colonial Exhibition, which closed on November 15, 1931, allowed Victor Tardieu’s School of Fine Arts to acquire an…
Category: Nguyen Phan Chanh
Nguyen Phan Chang, 1932, « The Sugar Cane Merchant », or the serenity of the truth
Our painting is part of the artist’s exceptional period of creation from 1929 to the year 1933. In 1932, Nguyen…
Nguyen Phan Chanh, 1930-31, « La Pâtisserie » or the Gods are in love
“La Pâtisserie” is one of a small group of sublime and very rare works executed by the painter between 1929…
Nguyen Phan Chan « Les Teinturières », 1931: The Meaning Of Sign
Nguyen Phan Chanh probably painted Les Teinturières in November 1931, just as the Paris Colonial Exhibition was coming to an…
Nguyen Phan Chanh, 1937 « La Marche Nuptiale » or weariness in the step
This gouache and ink on silk, large dimension (48,5 X 85,5 cm) is of particular importance in the work of…
Les couturières, 1930: Nguyen Phan Chanh or the epicurean of simplicity
The first years of teaching since 1925 have certainly revealed talents among the students but the director of the School…
The Class List Of Students At The École Des Beaux-Arts D’Hanoi 1925-1945
Any ranking is, by its very nature, relative and subjective. Though occasionally unfair, such a ranking is always instructive. The…
« The Betel Nut Seller » – Nguyen Phan Chanh. 1931
Considered icons of Vietnamese art, the early works of Nguyen Phan Chanh were critically acclaimed, widely published, and avidly collected…
Nguyen Phan Chanh. « Les cases gagnantes ». 1931
Nothing ever begins, nothing ever ends.Only the void is absolute.The truth to understand is that all things are of a…
Nguyen Phan Chanh – “La Marchande de Ôc”
A historic manifesto, a homage to the beauty of a current everyday scene, an expression of so singular a genius,…