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Nguyen Phan Chanh, 1932, « La Marchande de Riz »
30 August 2022 Off By Jean-François Hubert

Nguyen Phan Chanh, 1932, « La Marchande de Riz »

Non classé

Nguyen Phan Chanh’s early works are considered to be icons of Vietnamese art. Some of the most widely acknowledged include:…

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Nguyen Phan Chanh, 1931, « La Couture », or the feeling of the gesture must be the gesture of the feeling
22 July 2022 Off By Jean-François Hubert

Nguyen Phan Chanh, 1931, « La Couture », or the feeling of the gesture must be the gesture of the feeling

Nguyen Phan Chanh

The Paris Colonial Exhibition, which closed on November 15, 1931, allowed Victor Tardieu’s School of Fine Arts to acquire an…

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Le Pho, ” La Femme du Mandarin (The Mandarin’s Wife), 1931, or a vehement impassivity
28 June 2022 Off By Jean-François Hubert

Le Pho, ” La Femme du Mandarin (The Mandarin’s Wife), 1931, or a vehement impassivity

Le Pho

Every great painter has his emblematic work. Among many others, Guernica for Picasso, Le déjeuner sur l’herbe for Manet, David…

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Le Pho, « The Bath », circa 1938, or the instrumentalization of the nude
25 May 2022 Off By Jean-François Hubert

Le Pho, « The Bath », circa 1938, or the instrumentalization of the nude

Le Pho

“Le Bain” (The Bath) by Le Pho, an exquisite gouache and ink on silk (39×40 cm), is one of the painter’s…

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To Ngoc Van, 1942 « The Young Woman » or the certainty of truth
20 May 2022 Off By Jean-François Hubert

To Ngoc Van, 1942 « The Young Woman » or the certainty of truth

Vietnamese painting

When To Ngoc Van painted this picture, he was 36 years old and had an accomplished social life: a graduate…

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Nguyen Phan Chang, 1932, « The Sugar Cane Merchant », or the serenity of the truth
17 May 2022 Off By Jean-François Hubert

Nguyen Phan Chang, 1932, « The Sugar Cane Merchant », or the serenity of the truth

Nguyen Phan Chanh

Our painting is part of the artist’s exceptional period of creation from 1929 to the year 1933.  In 1932, Nguyen…

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Bui Xuan Phai, 1971, the « Portrait Of Tran Quy Thinh » or the Tran Dan’s victory over To Huu
5 April 2022 Off By Jean-François Hubert

Bui Xuan Phai, 1971, the « Portrait Of Tran Quy Thinh » or the Tran Dan’s victory over To Huu

Non classé

Much has been already written about Bui Xuan Phai (1920-1988). Not the essential as censorship has been strong there and…

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Mai Trung Thu, 1942, “The Family” or the pretext of Confucianism
15 March 2022 Off By Jean-François Hubert

Mai Trung Thu, 1942, “The Family” or the pretext of Confucianism

Mai Thu

This large (46 x 60 cm) and beautiful gouache and ink on silk belongs to a series of works created…

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Lé Van Dé, 1942, The Woman With The Dove, or the deconstruction, source of disillusionment
28 February 2022 Off By Jean-François Hubert

Lé Van Dé, 1942, The Woman With The Dove, or the deconstruction, source of disillusionment

Non classé

Lé Van Dé was born on August 28, 1906 in Mo Cay near Ben Tré in southern Vietnam. He entered…

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Pham Hau « Roosters In a Landscape » c. 1940 or the fable of animals
9 February 2022 Off By Jean-François Hubert

Pham Hau « Roosters In a Landscape » c. 1940 or the fable of animals

Non classé

In this magnificent screen of very large format (six panels of 135 X 44 cm each, in all 135 X…

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Recent Posts

  • The good man, the bad man and the ugly. Or a compromise of the soul with the instinct : a 2023 point of view on the vietnamese painting
  • SADEAI, FARTA, Salon Unique, AGINDO : Under the acronyms and words, a strong commitment to promote Vietnamese Painting and Sculpture
  • Mai Thu, 1946, La Femme au châle rouge (The Woman With The Red Shawl) or the eyes and the heart
  • Le Pho, « La Femme Aux Rosiers » (The Woman With Roses), circa 1940, or the incredible sweetness of being
  • Vu Cao Dam – Head of a Young Woman, 1946 or the enbodiment against attenuation

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