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Vu Cao Dam, circa 1939, « La Jeune Fille au Turban Blanc » (The Girl with the White Turban), or the certainty of choice
5 June 2023 Off By Jean-François Hubert

Vu Cao Dam, circa 1939, « La Jeune Fille au Turban Blanc » (The Girl with the White Turban), or the certainty of choice

Vu Cao Dam

When Vu Cao Dam painted this sumptuous silk around 1939, he was living in Paris since 1931. His desire to…

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Le Quoc Loc, 40’s, (Landscape of Tonkin) « Paysage du Tonkin », or the evanescent beauty of the moment
25 May 2023 Off By Jean-François Hubert

Le Quoc Loc, 40’s, (Landscape of Tonkin) « Paysage du Tonkin », or the evanescent beauty of the moment

Non classé

Lê Quốc Lộc opened, in the 1940s a professional workshop at 42, rue Lò Đúc in Hanoi. He then like…

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Mai Thu, 1959, « Les Enfants » (Children), or the certainty of hope
19 May 2023 Off By Jean-François Hubert

Mai Thu, 1959, « Les Enfants » (Children), or the certainty of hope

Mai Thu

We are honored to present a breathtaking work by Mai Thu. In 1959, the year of our painting, the 53…

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Le Pho, « The Peonies and The Bird », circa 1936, or the leap to freedom
12 May 2023 Off By Jean-François Hubert

Le Pho, « The Peonies and The Bird », circa 1936, or the leap to freedom

Le Pho

This Le Pho’s work is not only unique by its subject, its style and its date, but is also of…

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Le Pho « La Jeune Fille en Blanc », 1931-32, or the memory that doesn’t fade
26 April 2023 Off By Jean-François Hubert

Le Pho « La Jeune Fille en Blanc », 1931-32, or the memory that doesn’t fade

Le Pho

“Jeune fille en Blanc” (Young Girl in White) is an exceptional work by Le Pho : historically, intellectually, artistically. When Le…

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Le Pho « Paysage du Tonkin », 1932-1934, Or the choice of the dream against the memory
7 April 2023 Off By Jean-François Hubert

Le Pho « Paysage du Tonkin », 1932-1934, Or the choice of the dream against the memory

Le Pho

“Paysage du Tonkin” (Landscape of Tonkin), signed, signed again in Chinese lower right is a lacquer on panel of exceptional…

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The good man, the bad man and the ugly. Or a compromise of the soul with the instinct : a 2023 point of view on the vietnamese painting
7 March 2023 Off By Jean-François Hubert

The good man, the bad man and the ugly. Or a compromise of the soul with the instinct : a 2023 point of view on the vietnamese painting

Vietnamese painting

The history of art is not just a history of beauty, a concept so broad that it can support all…

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SADEAI, FARTA, Salon Unique, AGINDO : Under the acronyms and words, a strong commitment to promote Vietnamese Painting and Sculpture
31 January 2023 Off By Jean-François Hubert

SADEAI, FARTA, Salon Unique, AGINDO : Under the acronyms and words, a strong commitment to promote Vietnamese Painting and Sculpture

Vietnamese painting

The “Indochina School of Fine Arts” organized exhibitions very early on to show the work of its students. It was…

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Mai Thu, 1946, La Femme au châle rouge (The Woman With The Red Shawl) or the eyes and the heart
13 December 2022 Off By Jean-François Hubert

Mai Thu, 1946, La Femme au châle rouge (The Woman With The Red Shawl) or the eyes and the heart

Mai Thu

In 1946, Mai Thu has been living for the past two years in Vanves, a commune bordering Paris, in an…

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Le Pho, « La Femme Aux Rosiers » (The Woman With Roses), circa 1940, or the incredible sweetness of being
5 December 2022 Off By Jean-François Hubert

Le Pho, « La Femme Aux Rosiers » (The Woman With Roses), circa 1940, or the incredible sweetness of being

Le Pho

Our gouache and ink on silk of beautiful dimension is remarkable by the extreme softness which emerges and, by the…

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Recent Posts

  • The Lost Honor of Richard C. Paddock, Journalist for The New York Times
  • Christie’s Hong Kong: The triumphant Philipe Damas Collection and the excellent health of Vietnamese painting
  • Nguyen Do Cung, Nguyen Tien Chung, Nguyen Sang and Bui Xuan Phai: painters, works and ideas ; 1947 – c 1984
  • Painters-travellers: discover, marvel, compare
  • The Damas Collection, or the joy of being yourself

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