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On December 2, 2021, at Christie’s in Hong Kong, the “Austerlitz Sun” illuminated Vietnamese painting
10 December 2021 Off By Jean-François Hubert

On December 2, 2021, at Christie’s in Hong Kong, the “Austerlitz Sun” illuminated Vietnamese painting

Non classé

Once again the honor of the “white gloves” for the Vietnamese section at Christie’s in Hong Kong this December 2nd.…

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Le Pho « La Toilette de l’enfant » or “the unreasonable silence of the world”
11 November 2021 Off By Jean-François Hubert

Le Pho « La Toilette de l’enfant » or “the unreasonable silence of the world”

Le Pho

Two children are depicted with whom we imagine is their mother though we can’t tell for sure. Central to the…

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Mai Thu, 1956, “Le Pont” or the happiness of the rite
8 November 2021 Off By Jean-François Hubert

Mai Thu, 1956, “Le Pont” or the happiness of the rite

Mai Thu

Mai Thu, proud to be Tonkinese, depicts the mountains of the Middle Region in the distance. Set far back in…

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Nguyen Phan Chanh, 1930-31, « La Pâtisserie » or the Gods are in love
1 November 2021 Off By Jean-François Hubert

Nguyen Phan Chanh, 1930-31, « La Pâtisserie » or the Gods are in love

Nguyen Phan Chanh

 “La Pâtisserie” is one of a small group of sublime and very rare works executed by the painter between 1929…

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Hoang Tich Chu, 1950, « The High Region of Tonkin » or a phantasmagorical naturalism
1 November 2021 Off By Jean-François Hubert

Hoang Tich Chu, 1950, « The High Region of Tonkin » or a phantasmagorical naturalism

Vietnamese painting

After graduating from the Hanoi School of Fine Arts in 1941, Hoang Tich Chu started a lacquer workshop with his…

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Le Pho, The Virgin Mary and the Child Jesus, circa 1938, or an european construction
15 October 2021 Off By Jean-François Hubert

Le Pho, The Virgin Mary and the Child Jesus, circa 1938, or an european construction

Le Pho

In 1970, art critic Waldemar–George (1893-1970) published his eponymous book with the evocative title: ”Le Pho, the divine painter”. In…

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Paris is a party… A Moveable Feast: the  one-way journey of vietnamese artists in the 30s.
30 August 2021 Off By Jean-François Hubert

Paris is a party… A Moveable Feast: the one-way journey of vietnamese artists in the 30s.

Vietnamese painting

It was because he was confident in their talent that, from 1929, Victor Tardieu, the founder (in 1924) of the…

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« Nu Debout » (Standing Nude), c 1937 or the joyfull farewell to the past
26 July 2021 Off By Jean-François Hubert

« Nu Debout » (Standing Nude), c 1937 or the joyfull farewell to the past

Le Pho

Nudes were rarely painted in the history of Vietnamese Modern Art.  The Confucian culture and social mores of the 1930s…

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Christie’s Hong Kong: May 24 & 25, 2021: The “white gloves”, “Mona Lisa,” and Bui Xuan Phai’s restored honor
7 June 2021 Off By Jean-François Hubert

Christie’s Hong Kong: May 24 & 25, 2021: The “white gloves”, “Mona Lisa,” and Bui Xuan Phai’s restored honor

Vietnamese painting

A new “white glove” sale was held at Christie’s in Hong Kong on May 24th (evening sale) and 25th (day…

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Le Pho « Le Printemps », 1955, Or a turn in the artist’s work
27 May 2021 Off By Jean-François Hubert

Le Pho « Le Printemps », 1955, Or a turn in the artist’s work

Le Pho

It is always fascinating to observe in the work of an artist the successive stages of construction (or deconstruction) of…

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Recent Posts

  • Le Pho, ” La Femme du Mandarin (The Mandarin’s Wife), 1931, or a vehement impassivity
  • Le Pho, « The Bath », circa 1938, or the instrumentalization of the nude
  • To Ngoc Van, 1942 « The Young Woman » or the certainty of truth
  • Nguyen Phan Chang, 1932, « The Sugar Cane Merchant », or the serenity of the truth
  • Bui Xuan Phai, 1971, the « Portrait Of Tran Quy Thinh » or the Tran Dan’s victory over To Huu

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